THE FIRST MOBILE NIGHTCLUBS ARE BELGIAN?

To the classic list of Belgian gems such as beer, chocolate, waffles and fries, do not hesitate to add the unique mobile dance halls of the Klessens family, originally from Campine. The latest generation can take pride in having now conquered the world with their mirror capitals from another era.

The very first mobile dance halls in Belgium date from the 1900s. Buildings with a traditional carved wooden interior in oak or mahogany, sometimes in the Art Nouveau style. Abundant crystals, stained glass windows, romantic and comfortable seating areas in red velvet with golden stitching surround a round dance floor. To this is added an old bar and the brilliance of hundreds of faceted mirrors, these capitals have appeared in almost all fairs. At the start of this century, night owls, revelers and heartbreakers really felt at home. Thanks to these mirrors, they have easy eye contact with their soul mates.

The patriarch of this family business, still active today, was the Dutchman Willem Klessens. He crossed the border in 1912 and made a living as a carpenter in Lommel. But his real passion is elsewhere. After his marriage to Amelia Kaers, he then opened a dance café. In his own words, his cafe lacked atmosphere and he therefore acquired a dance organ in Antwerp. To his surprise, the package also included a real dance tent. The organ was placed in the dance hall, but since he didn’t know what to do with the tent, he put it in a shed at the end of the garden. At the Lommel fair, he therefore decides to take the tent out of the hangar. A resounding success and the promising beginnings of the company ‘spiegeltente Klessens’.

This very first tent was restored in 1920 and named ‘Kempisch Danspaleis’ / Palais de Danse Campinois. In 1930, the second generation of Klessens acquired the Nova Danssalon. Later, a large Decapy dance organ is even installed.

After the Second World War, with the rise of live music, the demand for marquees grew exponentially, with booming names like De Lust, Bon Vivant, Cristal Palace, Majestic, Teatro Colombino, Carrousel, Magic Cristal, Victoria, Pigalle and Queen of Flanders. Each has its own character, charm and atmosphere. The best orchestras in Belgium and abroad want to perform under these marquees. Real live jukeboxes.

The third and fourth generations of Klessens no longer travel only from fair to fair, but seek new horizons, even in distant countries. Popular entertainment of yesteryear is now also appreciated by the most diverse event organizers: festivals, concerts, corporate and private parties, birthdays, fairs, circuses and even theaters for a stylish dinner show.

One hundred years after their creation, the capitals with mirrors are clearly still on the rise.

COVID -19: BELGIUM SEEKS TREATMENT

Belgium is one of the European countries participating in the Discovery study. The aim is to test treatments against the covid-19 virus on 3,200 patients from France, Belgium, the Netherlands, the United Kingdom, Germany and Spain.

Belgium is one of the European countries participating in the Discovery study. The aim is to test treatments against the covid-19 virus on 3,200 patients from France, Belgium, the Netherlands, the United Kingdom, Germany and Spain.

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ARTIFICIAL RESPIRATOR: UNITY IS STRENGTH

In the current state of health emergency, our national currency is really topical. More than 200 volunteers, academics, engineers, industrialists, politicians and financiers, got together to accomplish a feat: achieving in just 10 days “Breath4life”, a prototype artificial respirator.

In the current state of health emergency, our national currency is really topical. More than 200 volunteers, academics, engineers, industrialists, politicians and financiers, got together to accomplish a feat: achieving in just 10 days “Breath4life”, a prototype artificial respirator.

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LÉON SPILLIAERT, THE BELGIAN SYMBOLIST

Léon Spilliaert is one of the most famous Belgian symbolist painters. He was born in 1881 in Ostende and died in 1946 in Brussels. Already early, he became passionate about painting and literature. At 18, he enrolled at the Bruges Academy, but ended his studies after a few months. From 1903-1904, he worked for the renowned Brussels publisher, Edmond Deman.

From 1907 to 1913, Léon Spilliaert gradually managed to make a name for himself in the industry. His works are exhibited in many places: Salon De Printemps by Jean De MotSalon des Indépendants de Bruxelles , Salon Doe stil voort or at the exhibition Les Bleus de la GGG .

In 1916, he married Rachel Vergison and settled with her in Brussels where their daughter was born. After the war, he collaborated with the Selection group which exhibited his works for several years. In 1922, the first exhibition entirely devoted to his paintings took place in the Brussels gallery Centaure . From 1925 to 1931, he exhibited his works at the Kursaal in Ostend. In 1937, he joined the Compagnons de l’Art.

Léon Spilliaert died in November 1946, leaving behind a very extensive work mainly comprising empty spaces such as beaches and maritime areas inspired by the Ostend landscape. He also produced self-portraits. His works are imbued with a certain melancholy and sadness. The artist treats chiaroscuro wonderfully. He uses different materials such as goulash, watercolor or pastel.

His most famous works: The Absinthe Drinker  (1904), The Self-Portrait  (1908), Moonlight and Lights  (1909), La Poursuite  (1910), The Royal Park in Brussels  (1917) and The Tunnel  (1935) ). Today you can admire some of his works at the Royal Museums of Fine Arts of Belgium, at the Mu.ZEE and at the Musée d’Orsay in Paris. The latter will also organize an exhibition on Léon Spilliaert during the year 2020.

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A HIGH-PERFORMANCE BELGIAN SCANNER AGAINST CORONAVIRUS

While the world is experiencing an increase in anxiety linked to the coronavirus epidemic, the Avalasia company located in Menen (near Courtai) is developing thermal applications which are very useful in the fight against the virus. Its scanners can measure temperature to quickly detect people at risk of being infected with the virus.

While the world is experiencing an increase in anxiety linked to the coronavirus epidemic, the Avalasia company located in Menen (near Courtai) is developing thermal applications which are very useful in the fight against the virus. Its scanners can measure temperature to quickly detect people at risk of being infected with the virus.

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